Tag Archives: Sony Exmor

Samsung Galaxy S20 FE : How Good Is Its Camera?

The Samsung Galaxy S20 FE only comes with a 12 MP main camera, but you will be really surprised at how good its camera really is!

Learn a little more about its 12 MP main camera, and take a look at a few photo samples we managed to take!

 

Samsung Galaxy S20 FE : Sony IMX555 Main Camera

The Samsung Galaxy S20 FE comes with the same 12 MP main camera as the Galaxy S20, featuring the Sony IMX555 sensor, and a wide f/1.8 aperture.

In this article, we are going to take a look at how good this camera really is.

The Sony IMX555 is a 12.2 MP CMOS sensor, with a square pixel array of 4032 x 3024 pixels.

This is a Dual Pixel sensor, which means it uses dual photodiodes in every pixel for faster and more accurate phase-detection autofocus.

The Samsung Galaxy S20 FE supports the new HEIC file format, so each 12 MP picture is only about 2-3 MB in size. That’s about half the size of the usual JPEG file format.

 

Samsung Galaxy S20 FE : How Good Is Its Camera?

Even though we are under a CMCO lockdown, we had the opportunity to test the Samsung Galaxy S20 FE’s main camera out.

Here are eight high-resolution Samsung Galaxy S20 FE photo samples for you to check out.

For faster loading, we reduced the resolution, but they are otherwise unedited.

We are glad that Samsung did not skimp on the main camera, using the same Sony IMX555 sensor and wide f/1.8 aperture as the original S20.

The detail and colour rendition of this camera is really good, with fast autofocus, courtesy of its Dual Pixel capability.

The wide f/1.8 aperture is great for bokeh and low-light photography, but it introduces a very narrow depth of field.

So you need to take care when you take close-up shots, as you can end up with the shot focused on the wrong subject. To be sure, tap on the subject you want so the Galaxy S20 FE “knows” what you want to focus on.

If you can keep that in mind, you will end up with very nice shots from the Galaxy S20 FE!

 

Samsung Galaxy S20 FE 5G : Price + Availability

The Samsung Galaxy S20 FE 5G is available in these six colour options, from left to right : Cloud Mint, Cloud Navy, Cloud Lavender, Cloud Red, Cloud Orange and Cloud White.

Here are the Galaxy S20 FE’s official price list in various countries :

  • Malaysia : RM3,399 (about US$815 / £640 / A$1159 / S$1122)
  • United States : $699.99
  • United Kingdom : £699
  • Australia : A$999

Here are online purchase options :

 

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Sony X1000V 4K Action Camera Review Rev. 2.0

In the world of action cameras, GoPro action cameras dominate the sports action video footage on YouTub. Many companies have tried to take a piece out of GoPro’s pie – Garmin Virb, Xiaomi Yi, and even the lowly SJ4000. However, Sony is, arguably, the closest competitor to GoPro.

Unlike most of the GoPro’s competitors, Sony created a rather unique form factor, which may be better or worse than GoPro, depending on your usage. Its “telescopic” design, for example, is more aerodynamic than the traditional camera design.

Sony started selling their action camera series with the AS10 and AS15 capturing a respectable Full HD resolution at 30 fps. However, the model I’m reviewing today is their latest top-of-the-line (as of February 2016) model, called the Sony FDR-X1000V.

It doesn’t have a sexy name like Hero 4 Black, which is its most obvious rival today. But they are both equally capable of recording 4K video at 30 fps. So why did I get the Sony instead of GoPro, the defacto choice for action cam?

Updated @ 2016-04-09 : Updated the review with the X1000V’s features vs. its competitors, as well as the speed requirements for recording at the highest quality 4K resolution.

 

Size and Features

The size and weight are important considerations for an action camera. In that aspect, the Sony FDR-X1000V loses out to GoPro Hero 4, especially when both are installed in their respective waterproof case. But Sony has a number of key advantages over the GoPro.

For one thing, the X1000V is “splash-proof” with an IPX4 rating and a 1/4″ tripod socket on the camera itself. In other words, you can use the camera outdoors in light rain without a waterproof case. However, the biggest advantage of the Sony Action Cam has to be its digital Steadyshot capability.

Steadyshot reduces the handshake vibration and also micro vibrations when hard mounted onto a moving object, like a sports equipment or a car. The downside is a limited Field of View choice. With only the options of Steadyshot Off (170° FOV) and On (120° FOV), you can forget about trying to use a narrower FOV without Steadyshot, or a wider FOV with Steadyshot enabled.

The Sony FDR-X1000V also has some features that are not found in many other action cameras, like the wind noise reduction, GPS (available on the Garmin Virb), NFC etc, which may or may not sway your decision to purchase.

By default (at least in Malaysia anyway), the Sony FDR-X1000V comes with a live view remote watch, which allows you to view the recorded footage of the camera on-the-fly. It also makes for easier setting changes to the camera. The remote watch is waterproof up to 3 meters, not as deep as the camera’s waterproof case of 10 meters. But that’s not as annoying as the fact you have to turn both the camera and remote watch on and off separately.

If your Sony FDR-X1000V does not come with the remote watch, its built-in WiFi capability allows you to stream live footage directly to your iOS or Android devices using the PlayMemories app. You can change the camera settings, view photos and videos using the app. This can be much more convenient than using the camera itself.

Finally, the Sony X1000V comes with stereo microphones on the front of the camera. This means it has superior audio recording capabilities than the GoPro Hero 4 series.

 

It’s All About 4K, Or Is It?

Another reason to get the Sony FDR-X1000V is the ability to record 4K videos at 30 fps. However, your options are very limited if you choose to record at that resolution. You lose Steadyshot, and the 120 fps slow-mo option, that are available if you choose to record in Full HD (1920 x 1080) resolution instead. You are also limited to a 170° FOV.

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Sony actually “downgraded” from a 13 MP sensor in the previous flagship AS100V camera, to a 8.8 MP Sony Exmor R sensor in both the AS200V and the X1000V cameras. The 8.8 MP sensor allows for a maximum photo resolution of 3952 x 2224. They probably used the lower resolution sensor to allow a 1:1 pixel readout from the sensor at 4K resolution without pixel binning. In theory, that should allow for better image quality. The downside, though, is the loss of Steadyshot when recording 4K videos.

To shoot videos in the 4K or other 100 Mbps modes, you will need a fast MicroSDXC card that is rated U3 class at the very least. The Sony FDR-X1000V Action Cam can be quite finicky when comes to MicroSD cards. It may refuse to enable the highest quality options with some MicroSD cards that meet the requirements.

If you want to record to the normal XAVC-S format, a standard MicroSDXC card (64 GB and above) will be sufficient. However, if you want to record at the highest quality 4K resolution XAVC-S 100Mbps or other high frame rate modes, there’s no need to buy expensive cards like the SanDisk Extreme Pro series. The SanDisk Extreme card below is more than sufficient at just 1/3 of the price of the Extreme Pro series.

The Sony X1000V offers a few shooting modes for you to play with – Loop Recording, Video, Photo, and Time Lapse. Disappointingly, Time Lapse does not support the 4K resolution, even though the X1000V obviously can record video in the 4K resolution.

Next Page > Closer Look At The Sony X1000V, The Live View Remote

 

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Closer Look At The Sony X1000V

The Sony FDR-X1000V camera has just 3 buttons to control and navigate the menu. In fact, it doesn’t even have a dedicated On/Off button. Turning on is simple – just press any of the 3 buttons, except the Record button on top. Pressing that obviously turns the camera on to immediately start recording a video based on your last recording mode.

Turning it off is a completely different story. You actually need to navigate through the menu to turn the camera off, depending on your existing recording mode. Alternatively, you can wait for the camera to turn off by itself in 20 or 60 seconds. This option can be disabled if you want.

The Next and Previous buttons at the side allow you to navigate the recording mode and the setup configuration, where the Record button doubles as the Enter button. The buttons’ tactile feedback is pretty inconsistent, especially the red Record button which failed to register my presses on some occasions.

It is also painful to navigate using the buttons, as they are not very responsive due to a laggy menu. The small LCD display also makes navigation and changing settings onerous because it cannot display the name of the options in full. It is much easier and faster to change the settings using the Live View Remote or the PlayMemories app on your smartphone.

The battery compartment, MicroSD slot, and other miscellaneous cable ports can be found under the back cover. As you can see, it is rubber sealed to prevent water seeping in.

There’s a 3.5mm microphone input jack at the bottom of the X1000V. You can attach an external microphone to it, should you require better sound recording.

The Sony FDR-X1000V also comes with built-in GPS capability. You can even create videos with GPS overlays using the Action Cam Movie Creator, if you turn on its GPS when you take photos or record a video.

If you have other Sony action cameras, you will be happy to know that Sony FDR-X1000V retains the same NP-BX1 battery. However, battery life is not that great if you are recording in the highest quality mode with WIFI enabled – it will last about 1 hour. Thankfully, Sony threw in an additional battery for free, which is a sweet deal.

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The Live View Remote

The Previous and Next buttons on the Live View Remote has the same lack of tactile feel. However, the other buttons are fine. This inconsistency is not something I would expect from Sony. Thankfully, this is the only major concern.

The response time of its screen is almost seamless, with minimal lag. All the important options can be modified on the remote, and you can even playback and delete footage on the remote. It makes recording video so much easier, especially if the camera is out of your reach.

Next Page > Performance, The Need For Accessories, Our Verdict

 

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Performance

There are many side-by-side comparisons between Sony FDR-X1000V and GoPro Hero 4 Black on YouTube, and the general consensus is that Sony X1000V has better sharpness, image stabilization, low light noise and audio clarity, while the GoPro Hero 4 has better customization options in terms of ISO settings, metering options, FOV options, time lapse at full sensor resolution, and dynamic range.

Although Sony FDR-X1000V Action Cam is capable of a 170° FOV, it suffers from serious barrel distortion. Sharpness across the frame is pretty good with slight chromatic aberration, which is only visible at 4K. The dynamic range is not bad in the Neutral colour mode. I didn’t like the Vivid color mode as it exaggerates the colors too much for my liking, and the increase in contrast removed a lot of details.

In bright daylight, the Sony X1000V has very good image quality at both 1080p and 4K resolutions, at all supported frame rates. I have only tried recording in the high bitrate mode. Recording at 1080p 120 fps allows me to reduce the speed to 0.25x for some cool slow motion footage.

Its best low light performance was seen at 1080p 30 fps. There is noticeable noise when recording at 60 fps. This is to be expected since it requires a bump in the ISO to record at 60 fps. I did not expect 4K to suffer the same fate, but its noise level was higher than at 1080p. So if light is not optimal, it’s better to switch to the 1080p 30 fps mode.

The Sony X1000V may not have many features, like custom ISO settings, metering options etc, but there’s really no need to fiddle with those settings especially when you only have one shot at taking your footage. Sony’s Auto mode has been pretty decent and consistent in terms of exposure. The Steadyshot feature reduces handshake vibration pretty effectively, but I didn’t like Steadyshot when the camera was hard-mounted onto my bike. The video felt like I was floating on rough water, instead of riding on an offroad trail.

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The X1000V has a wind noise reduction mode. It effectively cancels out wind noise without affecting the audio. I would definitely use this option when I ride on my mountain bike or mount the camera onto my car.

The Time Lapse mode is one of the major flaws of this camera. This is a 4K action camera, but it only records time lapse photos at 1080p. This is simply unacceptable. There’s no 0.5 second interval option too. You can only set the interval in 1 second steps, from 1 up to 60 seconds.

Another major drawback of this camera is its underwater abilities. The original waterproof housing is capable of protecting the X1000V up to 10 meters deep. However, the curvature of front lens cover prevents the camera from focusing properly, resulting in blur photos and videos. The only way to resolve this problem is to purchase another accessory, called the Dive Door (AKA-DDX1K), which also increases the depth limit to 60 meters.

 

The Need For Accessories

One of the most basic accessories for the Sony action cam is the lens cover, AKA-HLP1. It is overpriced for such a basic item, but it is crucial if you want the lens on the camera to remain scratch-free.

Sony has been slowly improving their mounting accessories. As I would be primarily using it for my mountain biking, the Roll Bar Mount is probably the most useful mount. I can mount it on the top tube of my bike, where it offers more stability and a great point of view. The latest VCT-RBM2 uses a knob to tighten the strap, and the strap can wrap around non-rounded objects better.

The form factor makes mounting onto a helmet less obstructive than a GoPro camera. If you are mounting on top, it will have less drag especially if you are riding downhill… fast. Likewise, if you are mounting it at the side of the helmet, it is also less likely to clip onto objects like tree branches. There’s no official top-mount option, so you will need to be imaginative. You can probably use a strap to secure it to your helmet if it has vents. You can also use the (included) double-sided tape, but I would not recommend that at all.

Sony also has an interesting mount option if you are using a backpack (which I do while cycling since I carry a water bag). Unfortunately, all the official mounts are quite expensive – a common “problem” with GoPro as well, so I did not buy any official mounting accessories. Please note that most of the official accessories made for the smaller Sony AS-series action cameras, like the Skeleton Frame (AKA-SF1) will not fit the X1000V.

GoPro has been in the market a few years longer than Sony, and they have a far wider choice of accessories. Even eBay offers a ton of knockoff versions. Thankfully, you can actually use GoPro mounts with a Sony action camera. All you need to buy is a 1/4″ x 20 thread to GoPro mount adapter, which only costs USD 1 on eBay! Using this nifty trick, I get to enjoy GoPro mounting accessories with my Sony X1000V action camera, and so can you.

 

Our Verdict

The Sony FDR-X1000V is one of the best action cameras in the market today, and I have definitely no qualms recommending this, especially in its price range. The X1000V costs just RM 1450 (~USD 353), including a remote watch and a 32 GB MicroSD card (which is not capable of recording using XAVC-S mode). The GoPro Hero 4 Black edition will cost almost double the price, if you factor in the remote watch.

Not everyone will like its unusual form factor. However, it is better than GoPro or similar cameras for high speed sports.

The Sony X1000V is not without its flaws though. What may kill your interest is its inability to support a 4K resolution time lapse mode, or a narrow FOV mode without Steadyshot enabled. Sony can possibly fix these issues with firmware updates. However, this model has been in the market for more than a year and there’s still no firmware update. The digital zoom mode is now available on the newly launched Sony AS50R, and it is also capable of recording 4K time lapse. So you might want to consider the AS50R instead.

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The Sony X1000V is also pretty finicky with MicroSD cards. It’s really a game of hits and misses, as there’s no official list of recommended cards. It can be very frustrating for users who want to record in the highest possible modes.

Customization is not something that Sony action cam is famous for. So if you like playing with ISO settings, metering mode, FOV options, non-standard ratio formats, GoPro is definitely your best bet.

Aside from all the drawbacks, the Sony X1000V is a fantastic action camera, oozing with great image quality and consistent performance, high quality audio recording, slightly better low light noise than GoPro, more mounting locations, water resistant without the waterproof casing. If all you want is outstanding video recording without any fuss, the Sony FDR-X1000V is definitely the right choice for you.

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Sony PXW-Z150 Camcorder Launched

Kuala Lumpur, 25 February 2016Sony has announced the PXW-Z150, the latest addition to its XDCAM range of lightweight, easy-to-use professional camcorders, with new functionality to enable wireless operation and 4K high quality shooting. The flexible, effortless set-up capabilities of the portable PXW-Z150 enable content creators of all experience levels to deliver impressive imagery for content and events shooting scenarios, no matter how tight their brief.

Sony’s PXW-Z150 features a 1.0 type stacked Exmor RS CMOS image sensor, providing users with spectacular 4K recording and impressive 5x slow motion in Full HD – essential functionality for content creators looking to deliver corporate or personal productions of the highest quality.

Going beyond what has been traditionally possible with a camcorder, Sony’s PXW-Z150 catches every moment in up to 120 frames per second (fps) High Frame Rate continuous recording in full HD quality. Apart from the standard optical 12x zoom, the camera utilizes Clear Image Zoom technology to operate at 24x zoom and 18x zoom in HD and 4K modes respectively.

[adrotate banner=”4″]Further, the single 20 megapixel 1.0 type large sensor size offers clear pictures even in low light. This gives filmmakers superb clarity and sharpness, opening up the opportunities for flexible shooting in a variety of environments. In response to rising expectations in the fast-paced corporate industry, users can now enjoy live streaming capabilities and FTP wireless connection with built-in Wi-Fi.

Ensuring creative expression is not only subjected to an extensive set-up, the PXW-Z150 is ergonomically designed to facilitate shooting with ease. The compact, lightweight body includes integration with advanced features, removing the need for multiple external accessories. The built-in 4-step ND filter offers the flexibility of exposure and depth-of-field control while the Multi-Interface (MI) Shoe avoids cabling with easy integration between the camcorder and Sony’s peripherals including the UWP-D series wireless microphones.

The PXW-Z150 can be easily controlled by a smartphone or tablet using a Wi-Fi remote, and has a battery life which delivers a remarkable 400minutes continuous recording time – allowing you to capture what is needed readily. In addition, high visibility is delivered with the wide view-angle and high contrast 0.39-type 1440K OLED viewfinder alongside the 3.5-type 1550K LCD panel.

The PXW-Z150 lends itself to a variety of environments and editing requirements, supporting the conventional broadcasting format MPEG2HD (50Mbps/35Mbps) on top of Sony’s advanced XAVC format (Long GOP) format. The camcorder also provides a wide variety of built-in connectivity options including professional standard 3G-SDI, XLR inputs, HDMI, USB, REMOTE and Composite (phono), eliminating the need for adapters.

To extend recording times and workflow flexibility, the PW-Z150 is equipped with two memory card slots and is compatible with SDXC and SDHC cards. The dual media slots enable various recording options such as backup, simultaneous and relay recording.

 

Sony PXW-Z150 Features

  • 4K high quality shooting with a 1.0-type Exmor RS image sensor and premium G lensThe PXW-Z150 supports 4K XAVC Long maximum 100Mbps high quality shooting. The 1.0-type Exmor RS image sensor provides high sensitivity and high performance in low light environments. The high-speed read-out ensures high-speed motion shooting with minimum distortion. Videographers can deliver high resolution and contrast from the centre to the edge of the lens, with the high performance 4K-compatible 29-348mm wide-angle lens with 12x optical zoom.
  • Use on a wide range of applications with 120fps slow motion, rich recording format and network functionsThe camcorder supports full HD 120fps continuous high-speed shooting, which enables 5x slow motion expression. High quality FHD XAVC Long 4:2:2 10bit 50Mbps and the broadcasting format MPEG2HD (50Mbps/35Mbps) are supported. Users can take advantage of the advanced network functions – such as the camcorder’s built-in Wi-Fi for live streaming capabilities (QoS will be supported by a firmware update) and FTP wireless connections – to integrate wireless workflows, enabling users to keep pace with ever changing client deadlines.
  • High operability and rich interface, within a compact and lightweight body

The PXW-Z150 provides extended functionality with 3 independent lens rings, in addition to high visibility with wide view-angle and high contrast 0.39-type 1440K OLED viewfinder and 3.5-type 1550K LCD panel. Sony’s MI Shoe wireless microphone receivers are supported, increasing the mobility and limiting the need for external cables and multiple accessories.

The camcorder’s rich interface includes: 3G-SDI, HDMI, XLR, Cold Shoe and REMOTE. In addition to this, dual media slots facilitate various recording options such as backup, simultaneous and relay recording.

 

Sony PXW-Z150 Availability

The PXW-Z150 will be available in Malaysia from May 2016. Alternatively, join Sony at booth 40/41 at the ABU Digital Broadcasting Symposium 2016, Hotel Istana in Kuala Lumpur, Malaysia from 29 February to 3 March 2016, for first-hand experience with this latest addition to Sony’s XDCAM range of professional camcorders.

 

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Sony α6300 Camera Introduces World’s Fastest Autofocus

11 February 2016 – Sony today introduced the latest addition to their award winning line-up of mirrorless cameras, the α6300. The camera boasts an unrivalled 4D FOCUS system that can lock focus on a subject in as little as 0.05 seconds, the world’s fastest AF acquisition time1. Additionally, the α6300 has an incredible 425 phase detection AF points that are densely positioned over the entire image area – the world’s highest number of AF points on any interchangeable lens camera2, and can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking.

The impressive new mirrorless model also has the ability to support full live-view continuous shooting on the Tru-Finder or LCD screen at up to 8 frames per second, ultimately producing a real-time shooting experience that combines all the benefits of an electronic viewfinder with the immediacy of a through-the-lens optical viewfinder.

The versatile α6300 camera is equipped with a newly developed 24.2 MP[1] APS-C sized Exmor CMOS sensor that works together with a BIONZ X image processing engine to produce outstanding image quality throughout the entire ISO sensitivity range ISO 100 – 51200[2].

The new α6300 can also shoot and record high resolution 4K video with full pixel readout and no pixel binning in the popular Super 35mm format.

 

Unrivalled AF Performance

Sony’s new α6300 camera builds upon the acclaimed 4D FOCUS performance of the α6000 model, utilising a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. The camera’s High-density Tracking AF technology positions 425 phase detection AF points over nearly the entire field of view, allowing it to accurately focus throughout a wide area – even on small, fast objects that other cameras would fail to recognise.

In addition to the extensive AF coverage, the α6300 debuts a new high-density tracking AF technology that significantly improves subject detection and tracking performance. This new technology can quickly activate a large number of AF points surrounding a subject – approximately 7.5 times more density than the α6000 – and intelligently adjust them in accordance with the subject’s motion. This is a particularly powerful feature when used with high-speed 11 fps continuous shooting or the new 8 fps continuous live-view mode, which provides 100% accurate framing for fast moving subjects on the LCD screen or viewfinder.

Of note is the fact that the camera’s 425 phase detection AF points, enhanced tracking and focus accuracy are all available on the α6300 when using A-mount lenses[3] with a mount adaptor like the Sony LA-EA3. This is a first for Sony E-mount interchangeable lens cameras with an APS-C sized sensor, as the only other cameras to feature this capability are the full-frame α7R II and α7 II models.

Other enhancements to the α6300 include silent shooting functionality, the ability to use AF in focus magnifier mode, expanded flexible spot AF, Eye AF in AF-C mode and more.

 

Powerful 24.2 MP Exmor CMOS Sensor and BIONZ X Processor

In order to maximise efficiency and overall camera performance, the α6300 features a new 24.2 MP sensor that is an ideal match for its BIONZ X image processing engine.

The new image sensor employs copper wiring in its structure, which improves light collection efficiency and significantly accelerates readout speed. The BIONZ X processor features an upgraded image processing algorithm designed to maximise the sensor’s overall capabilities. Together, the two key components work together to produce images with low noise and exceptional resolution in sensitivity settings up to ISO 512003, in particular in the mid-to-high sensitivity range.

 

Ultimate 4K Resolution and Other Professional Video Capabilities

In another first for non-full-frame Sony interchangeable lens cameras, the new α6300 offers internal 4K movie recording in Super 35mm format. When shooting in 4K, the camera uses full pixel readout without pixel binning to collect 20 megapixels of information – approximately 2.4x[4] (6K equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality footage with exceptional detail and depth.

[adrotate banner=”4″]The camera utilises the XAVC S codec[5] during video shooting, which records at a high bit rate of 100 Mbps[7] during 4K recording and 50 Mbps during standard Full HD shooting, ensuring maximum detail and clarity in both video formats. Additionally, the camera will focus approximately twice as fast as its predecessor during movie shooting thanks to its new and improved AF system. AF speed and AF tracking sensitivity are also adjustable for expanded creativity.

Other professional calibre video features include the ability to record Full HD at 120 fps at 100 Mbps[6], another first for α interchangeable lens cameras with APS-C sized sensors. This mode allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD[7] (24p or 30p) resolution with AF tracking. The new α6300 also offers S-Log gamma recording[8] for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider colour space. Both options allow for greater creativity for processing video post-production.

Also included on the new camera is a microphone line input that accepts external microphones and also supports XLR input with Sony’s XLR adapter kit, as well as Gamma Display Assist, a new function that allows users to monitor images or check focus when recording S-Log movies. The new model has enhanced Zebra functionality for greater exposure control. Picture profile settings are available, as well as Time Code / User Bit and much more.

 

Enhanced Operability and Ergonomics

The α6300 camera is equipped with a high contrast, high-resolution XGA OLED Tru-Finder with approximately 2.4 million dots that offers exceptional corner-to-corner visibility. There is also a new mode available for the viewfinder that allows display of images at 120 fps, ensuring that action is displayed smoothly with very few afterimages, making subject tracking through the Tru-Finder easier than ever.

Aesthetically, the new α6300 camera features an extremely solid feel in hand thanks to its robust, magnesium alloy design. It can be customised to fit nearly any shooting style or preferences, with 9 customisable buttons that one of 64 different functions can be assigned to. The camera adds a digital level gauge as well as upgraded dust and moisture resistance[9], a reinforced lens mount structure and a new shutter release button and mode dial with improved operability and grip.

The new α6300 camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile application available for Android and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps, which add a variety of creative capabilities to the camera. It also supports QR code for easy connection to non-NFC smart phones.

The α6300 with SELP1650 lens will be available in Malaysia from March 2016 onwards.

[1] Approximate effective MPs.

[2] Expandable up to ISO 51200 for stills and up to ISO 25600 for movies.

[3] A-mount lenses with SSM or SAM only. Users can choose phase-detection AF or contrast-detection AF in AF System menu.

[4] 1.6x in 30p setting.

[5] An SDHC/SDXC memory card with a Class 10 or higher speed rating is required for XAVC S recording.

[6] UHS Class 3 memory card is required for recording at 100Mbps.

[7] Number of pixels required for Full HD movie recording is read out from the image sensor.

[8] S-Log2 and S-Log3 are based on processing pictures.

[9] This camera is designed for optimal dust and moisture resistance, but is not waterproof or splashproof. For FE lens only.

 

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